VideoNuze Posts

  • Advanced Advertising Media Project Looks to Kickstart VOD Revenues

    A new research initiative aimed at measuring the impact of advertising in free VOD streams and hastening its deployment is being unveiled today. The Advanced Advertising Media Project ("AAMP") is being spearheaded by the 4A's and BlackArrow, an advertising technology provider, with participation from A&E, CBS, Comcast, Digitas, Discovery, Horizon Media, NDS, Rainbow Media and others. Last week Nick Troiano, president of BlackArrow gave me an overview of AAMP and its progress so far.

    AAMP's key objective is to discern what kinds of ads will be acceptable in VOD streams, and how these can be the basis for viable business models for content providers. While VOD has grown to approximately 7 billion views per year, with 4 billion delivered by Comcast alone, advertising has been severely under-optimized. As I recently wrote, online video advertising has lapped addressable TV advertising and then some. Whereas online video advertising has benefited from web-based standards to drive massive innovation and investment, addressable TV advertising on the other hand, including VOD, has been held back by a lack of robust infrastructure, under-investment by key players and anemic advertiser interest. Tune into VOD on any given night, and the lack of targeted ads, running repeatedly, demonstrates VOD's current lack of dynamic insertion, which is common in online video.

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  • A Netflix Deal For "House of Cards" Would Be a Big Shift In Its Strategy

    A report late yesterday by Deadline.com, that Netflix is potentially going to bid $100 million to stream/broadcast the new David Fincher/Kevin Spacey TV series "House of Cards" has been ricocheting around the Internet like a pinball since. Deadline also reported that Netflix is bidding against HBO and AMC and could take the unusual step of not even piloting the series before making this huge financial commitment. As a close observer of Netflix's rise over the past several years, the move would break with several key tenets of the company's success formula. Though I've learned to never say never, following are a few Netflix strategies that would be changed with a deal for "House of Cards":

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  • HealthiNation Launches Video Series to Address Americans' Wellness

    HealthiNation, an independent provider of medical and health related online programming, is unveiling a number of new series today, focusing on the adjacent category of wellness. The new videos come on the heels of research which HealthiNation fielded showing a discrepancy between how nutritional Americans thought their dietary habits are vs. what they actually are. With the new video series, HealthiNation is aiming to educate Americans in a fun, accessible way. Raj Amin, HealthiNation's CEO, brought me up to speed on the new initiatives last week.

    HealthiNation engaged ORC International: Caravan to conduct a phone survey of 1,000 American adults, and found that 52% thought they're doing all they can do to achieve a balanced nutritional diet and 63% who think they have a solid understanding of nutrition's basics. However, it also turns out that 76% of adults eat fewer than three servings of fruits and vegetables each day, which is the USDA's recommended minimum.

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  • Six Ways to Increase Digital Video Revenue

    Following is a contributed post by Steve Robinson, CEO of Panache, a digital video ad fulfillment provider. For all content providers looking to optimize revenues from their online video streams, it's timely and thoughtful advice, particularly in the lead-up to the new ELEVATE: Online Video Advertising Summit, coming up on Tuesday, June 7th.

    Six Ways to Increase Digital Video Revenue
    by Steve Robinson

    With demand for streaming content clearly established, publishers have shifted from testing digital video advertising to bringing ad revenues toward parity with broadcast. Most publishers face two big hurdles to expanding revenues: Providing enough inventory to meet growing demand and fulfilling sold campaigns efficiently. 

    Both of these challenges result from an imbalance in the digital video ad market supply and demand. When it comes to inventory, premium publishers are typically only selling three to four pre-roll ads per show in digital video, compared to seven or eight in TV, and as such are only making a fraction of the revenues.

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  • CBSSports.com College Network To Mine Value of Universities' Sports Video Archives

    Sports continues its role as a leading online video innovator, as this morning CBSSports.com College Network, a division of CBS Interactive, is announcing an initiative to enable its 175 university partners to mine the value of their extensive sports video libraries, in a new partnership with technology provider Thought Equity Motion. Last week Rob Schupler, CBSSports.com College Network's SVP of University Relations and Dan Weiner, VP of Marketing and Products at Thought Equity Motion briefed me on their plans.

    Rob explained that CBSSports.com College Network has a broad mandate with its university partners - to create their web sites, manage content, help build their fan bases, protect their brands and monetize through different business models. A key area of fan interest has been audio and video content, which is often available through premium subscriptions. However, when it comes to archived video content, the sites have mainly only offered a tiny fraction of what's in their vaults, usually just highlights from the past season. Rob said that the traditionally manual process of producers accessing archived content made providing a richer assortment operationally and economically unviable.

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  • 5 Items of Interest for the Week of March 7th

    Happy Friday! Below is VideoNuze's end-of-week feature, recapping 5-6 interesting online/mobile video industry news items that we weren't able to cover this week. Enjoy!
     
  • Blockbuster Staggers to a Sale

    The wrangling over what should become of Blockbuster's carcass seemed to reach a resolution yesterday as the judge presiding over the company's bankruptcy approved its proposed auction process. For those who haven't been following the drama, potential acquirers - mostly a group of hedge funds - have been fighting with movies studios that are Blockbuster's creditors, over the company's fate, with some recently calling for an outright liquidation.

    The Blockbuster story is a cautionary tale about what happens when companies don't pay attention to changing market conditions. No company was better positioned, and with a better brand, than Blockbuster, to take advantage of the shift to digital distribution. But Blockbuster was slow to adapt, its strategy and execution were flawed, and it had the bad luck of running into an extremely capable upstart in Netflix.

    Here's a picture of the last Blockbuster in my area I snapped earlier this week; I'm guessing you've witnessed this scene in your neighborhood as well. You gotta love the irony of the tag line "THIS LOCATION ONLY."


     
  • PwC's New Viewership Research Shows Vastly Changed Landscape

    A industry friend passed me a copy of PwC's new research on viewership across platforms and by age groups this week, which shows a vastly changed landscape for entertainment consumption. On the top line, the research reports that consumers are watching 12.4 hours/week of TV and movies via download, streamed, digitally recorded and online, vs. 8.9 hours of TV and movies on network TV and basic cable. When looked at by three age groups, 18-34, 35-44 and 45-59, only the latter category watches more network TV/cable, and only for TV shows, not movies (see chart below).

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